Tuesday, January 24, 2017

For the Love of Torchwood

As most people know, I am a Whovian. A Doctor Who fan for those unaware of the nerdy jargon. Yes, I am also a Trekkie, a Fannibal, an X Phile and a passionate fan of numerous other TV shows (what one calls a devotee of Randall and Hopkirk (deceased) is anyone’s guess!).

I am also a “Woody” (for want of a much better moniker) – that is to say, a fan of Torchwood, the Doctor Who spin-off aimed at slightly more mature viewer.

For the uninitiated, Torchwood sprang from the world of Doctor Who thanks to the wonderful, talented brain of Russell T Davies. Originally, the term was merely a pseudonym for production of the mother show in order to keep filming as secret as possible. The notion of an alien/crime fighting team had been at the back of RTD’s mind for years (with a working title of ‘Excalibur’) but once he got his creative claws into the Whoniverse, it was only a matter of time before the perfect blend came together.

The Torchwood seed was planted within the world of Doctor Who very subtly during episode twelve of series one (of 21st Century Who) in 2005 and was explored further more blatantly in the second series. We finally got to witness the fabled organisation in the stunning two-part finale Army of Ghosts/Doomsday.

Series one was also where we first met the charming and dynamic anti-hero Captain Jack Harkness and he proved so popular with fans, it was no wonder he would return for more adventures and his own spin off.

The first fully-fledged series of Torchwood appeared on October 22nd on BBC3 with a double bill of its first two episodes. Although Russell T Davies was the mastermind behind the show, Chris ‘Broadchurch’ Chibnall would serve as lead writer for the first two series.

I was hooked instantly. As I was already a fan of Doctor Who, it wasn’t that much of a surprise that I would warm to a spin-off (I was to fall in love with the children’s spin-off The Sarah Jane Adventures too!) but there was something extra special about Torchwood. Allegedly, RTD had pitched it as a cross between The X Files and This Life – two of my all-time favourite TV shows – so I was already eager to see this exciting hybrid.

OK, the show did have its detractors as most things do. One of the main complaints was that the stronger language and focus on sexuality was too aggressive, but I think if it was any other show, no one would bat an eye lid. I think it is just because people were used to the comfort of Doctor Who - I mean, look at Russell's Queer as Folk! Did anyone really think he was one to shy away from the truth about human nature? Ha!.

The cast was sublime. John Barrowman has so much onscreen charm that a number of straight blokes I know have admitted that they’d go gay for a night just for Captain Jack. Naoko Mori is a superb actress with a background in theatre and was also ‘Titicaca/Sarah’ in another favourite show of mine, Absolutely Fabulous. Burn Gorman is a man to watch whenever he is on screen. He is so naturalistic and can slip into any role with ease. Gareth David-Lloyd was a relative unknown outside of Wales but soon wooed his way into the hearts of fans world-wide. Kai Owen playing the simply lovable boyfriend/husband of Gwen...

Then there’s Eve Myles. Bloody Gwen Cooper. This woman can act the socks off anyone. RTD once described her as Wales’ best kept secret. Eve gives me goosebumps. She is simply a phenomenal actress. I am trying to be careful not to gush too much but it’s sufficient to say that, out of EVERYTHING I love about Torchwood, she is the zenith. Let that be enough, otherwise I will harp on for pages…

Series One

Series one was very much a mixed bag of stories. Some see this as a show trying to find its feet and maybe that’s true. I found that it proved how versatile the show can be. Not only were we dealing with aliens, but we had time-travel, fairies, vile human cannibals and even paedophilia. Each week I was in for a new feast and I was kept on my toes not knowing what the hell was going to happen next.

Without doubt, the highlight of the season was Catherine Treganna’s Out of Time in which three people from 1953 flew into Cardiff airport and had to adjust to 21st Century life. It was moving, heartbreaking and simply wonderful. Other highlights include P.J. Hammond’s disturbing story, Small Worlds, about fairies at the bottom of the garden (he has not lost his touch from the days of Sapphire and Steel!!) and Captain Jack Harkness (again, by Catherine Treganna) in which we meet the genuine article from whom our lead hero took his name.

Series Two

Once Torchwood settled into itself, it knew the kind of stories it wanted to tell – and series two delivered in spades. The show was beginning to attract attention and was moved to BBC2 in order to gain a larger audience. Freema Agyeman from Doctor Who joined the cast in a guest role as the brilliant Martha Jones, and we had a number of guest stars including the likes of James Marsters, Alan Dale, Julian Bleach and Ruth Jones.

This season felt more confident. There was real camaraderie in the cast and the episodes were bolder. We learned a lot more about Jack and, for the first time, his brother, Gray.

Amonsgt some of the best episodes were couple more from the superb Catherine Treganna – Meat and Adam – two fascinating episodes; one about the way humans treat animals for their own personal gain; one about the need to fit in. This show wasn’t ever going to be about evil aliens... this was a show which had a heart and would elicit empathy for others.

There was also a beautiful insight into the nature of human life and our existence in the episode A Day in the Death by Joseph Lidster. It was a rather atypical episode but one which gave us pause to reflect on what it is to be alive.

The finale, Exit Wounds was stunning. I was genuinely in floods of tears when we lost two of our lead characters. When Tosh uttered the line “Because you’re breaking my heart”, mine broke too. It’s such a shocking but deeply upsetting way for two characters to leave a series. It still makes me tear up…

Series Three

Now it was confirmed that Auntie Beeb had a hit on their hands, the show was moved to a prime time slot on BBC 1. However, the format was to change. No longer made up of thirteen episodes, series three was to be just one story told over five consecutive nights. I, for one, was shocked when I heard this announcement. I was disappointed that I wasn’t going to get a full banquet and only a mere snack.

Boy, was I wrong.

Children of Earth as it was eventually subtitled, was one of the most harrowing but brilliant pieces of television in years. Aliens return to Earth to complete a deal made decades earlier which involves giving up the human children for one of the most disturbing reasons possible.

The dilemmas posed in this five-night spectacular were astonishing and provoked much discussion amongst viewers. One scene in particular stands out for me and that’s where a cabinet of ministers in the British Government try to determine how to choose which children to give up. This is pure drama and actually made me feel physically sick as it made us an audience ask ‘What would WE do?’

We had exceptional performances from all, but most notably Cush Jumbo, Paul Copley ("Egg's Dad!"*), Susan Brown and the future Doctor himself, Peter Capaldi. I would love to see Cush Jumbo return as Lois Habiba one day… The series ended on a depressing note with too many lives close to Jack lost. It was chilling.

Series Four

Miracle Day (provisionally titled The New World) was always going to suffer from the ‘Tara King Syndrome’. Linda Thorson wasn’t Diana Rigg and Miracle Day wasn’t Children of Earth. It was the "difficult second album" (or fourth in this case). This does not make it any less worthy. Some tiresome fans online were extremely negative about this fourth run, mainly because of the American input (which, frankly, reeks of insular thinking and parochialism and is barmy in this day and age!)

Yes, we had part American funding and a lot of American cast, but this didn’t take away anything from the show in my opinion. It just made the show more global (as it should be!)

The premise was gold – no one dying and the cataclysmic aftermath of such a population growth – we saw how it affected various people in society; the families who lost people close; the greedy corporate world; the media’s spin; the life of those who were supposed to die… it raised so many existential issues and it took us to places we would never have thought to go.

New members of the cast fell seamlessly into the Torchwood world such as Alexa Havin’s beautiful performance as Esther Drummond from the CIA, Mekhi Phifer as the cynical Agent Rex Matheson, Lauren Ambrose as the conniving Jillian Kitzinger, Arlene Tur as the ill-fated Vera Juarez, and Bill Pullman as the repugnant Oswald Danes, a killer paedophile who survived the death penalty to go on to become a star. What an incredible performance he gave. I should also mention the new blood of writers including Buffy the Vampire Slayer’s very own Jane Espenson!

For me, one of the highlights of Miracle Day was episode seven: Immortal Sins in which we get to visit a period of Captain Jack’s past that has severe consequences in the show. It’s a beautifully orchestrated piece of television and stunningly shot. And, even though it’s a Jack-centric episode, we still get a knock-out performance from Eve Myles… again!!

The larger universe...

Whether it was the mixed reviews or the lack of funding, we were not fortunate enough to see more of Torchwood on TV (I live in hope…) but the Torchwood universe is larger with books, comics and audio plays continuing to entertain the fans. The BBC Radio did a series of plays which were received very well. The company behind the behemoth Doctor Who range of audio plays, Big Finish, got the rights to Torchwood and we are now treated to superb stories on a regular basis featuring a lot of the regular cast (including the adorable Tom Price as PC Andy and, brilliantly, Indira Varma as the troubled ex-Torchwood operative Suzie Costello).

At the time of writing, we have been subjected to two series of audio adventures (six episodes apiece) and three special releases: The Torchwood Archive, Torchwood: Outbreak, and Torchwood One: Before the Fall. The latter is the highlight of the three specials as we delve into the history of the London base with Yvonne Hartman, played to perfection by Tracy-Ann Oberman. The writers of the Big Finish audios (including series writer Joseph Lidster), the books and the comics are true fans of this much-loved show. They know their characters and they really “get” what Torchwood is. Even if we never get it back on our screens, I am more than happy to listen to their adventures or read about them as long as people keep writing them.

One last thing; while I have been typing this, I have been listing to the Torchwood soundtracks on my iPod. Ben Foster’s score is absolutely friggin’ wonderful. Murray Gold’s main theme is a classic and I wish they would release his score for Miracle Day one day as it has yet to be published (I am unsure as to why Ben Foster didn’t do the score, but Murray did a grand job!). Torchwood is one of those entities where all the ingredients worked for me. The writers, the cast, the directors, the stories, the production, the ethos… I am very passionate about it and, frankly, I’m a die-hard fan.

Long may the legacy last.

* I always shout "Egg's Dad!" whenever i see Paul Copley in anything. He played Andrew Lincoln ('Egg')'s father in the aforementioned This Life. He got to shag Anna Forbes. Good on Egg's dad!"

Monday, January 16, 2017

Thank You

2017 is going to be the year that I reboot my life.

After over a year of job-hunting, I have finally found a position that suits me like a 1940s gentleman's garment. I won't go into great detail right now, but it's sufficient to announce that it will allow me to use my writing skills daily and also utilise my affable charm on a regular basis. It's part reception work, part communications officer. A very satisfying blend for me.

This new role is based in Sheffield, so I will be leaving Bristol and dragging my hefty arse "Oop North" next weekend before settling into my new job and my new routine within the coming weeks.

I would like to take this opportunity to thank a great number of people. I will, no doubt, miss a few as there have been SO MANY that have helped me and to whom I am indebted beyond measure...

Firstly, to my family. They have been superb in their support over the last thirteen months - both emotionally and financially - and that is something to cherish. Mum, Mac, Sarah & Ian, Matt & Jo et al.

There are friends who have gone beyond the call of duty in their assistance: Jamie and Kevin housing me, feeding me, and supporting me during my brief foray into the Bristolian community; Dean for his unending generosity (in various forms) and his nonchalant yet occasionally acerbic words of encouragement; Rick and Teresa for seeing my potential and actually "getting me"; Dan for his strength and understanding, despite being ten and a half thousand miles away; Chris for being his usual empathetic self and giving me virtual ego-boosts as and when necessary; Louise, Adam, Rohan and Vanessa for just being the greatest gang of friends I have ever known (and I never EVER felt like a fifth wheel!); Jane for continuing to keep on the lookout for ideal positions for me; Alison for being Alison. No one knows me better than Ali...

Crikey... this is beginning to sound like an Oscar acceptance speech!

If I have forgotten someone, please forgive me. I am only on my second mug of tea for the day - give me a break!

All my friends, new and old, have been understanding, caring and, frankly, bloody fantastic. It is safe to say that in terms of friendship, I am one of the richest people in the world.

Cheers to all my friends!

OK, enough of the puke-fest. Now I am back in the land of the living, I might even be more prolific on this blog and on social media. I need the impetus of routine and happiness to fuel my writing so be warned, I may be spamming your newsfeed more often this year. Ha!

Sunday, August 28, 2016

I Won't Give Up

Since returning from Australia late last year, I have been going through some incredibly stressful and painfully traumatic experiences akin to attempting the obstacle race on the Krypton Factor.

These crippling challenges are both as vile and unpleasant as each other but are somewhat of a necessity if one wants to achieve anything in life.

They are:

Job application forms and Dates.

Long gone are the days where one spruced up one’s CV and delivered a succinct and coherent detail of one’s educational and vocational experience.

Long gone are the days of meeting people through social venues and getting to feel the vibes as you connect with another soul face to face.

Nah.

Everything now is online.

Each job I apply for has its own variation of a form to fill in and I have to repeat the same information over and over again. HOWEVER, there is never any room for possible discrepancies. e.g. I had a full time job whilst at University. One cannot explain this on the forms, as they don’t seem to think that such a thing would be possible. They also have mandatory fields for phone contacts of places that I worked that no longer exist. So, what happens? I leave things blank, the HR people look and think “Must be lying” and it gets binned (or deleted – wha’evs!) The most infuriating thing is after spending a good hour or so answering all their tiresomely pedantic questions about where one went to school, what grades one achieved, and to whom one sat in Geography class, they the ask you to upload a CV at the very end!!

When it comes to references, all of mine are in Australia and this makes it much harder to prove how bloody worthwhile I am. They probably just look at the ‘00613…’ and think “Fuck that!”

So, each and every laborious application for a job has left me frustrated and exhausted.

Pass me a bottle of red, luv!

As for dating…

I have tried a few of these phone apps. Oh, it’s appallingly depressing. A handful of pictures, a brief bio trying to sell oneself (for crying out loud, I was able to sell books about housewife bondage to Christian bookshops, yet I can’t sell myself for love nor money!) and all for nought as people simply swipe left because they catch sight of my lazy eye.

Even if one does make a rare connection, most just chat for hours and hours and then chicken out actually meeting because they suddenly realise they are married.

I have had a handful of dates:

  • One admonished me for talking about sex
  • One was so disinterested he left half way through
  • And one was too interested and got a little rapey.

Crikey, lads… what is a boy supposed to do?

Pass me a bottle of bubbly, luv!

All the rejections from employers and suitors alike are becoming very wearing. I am feeling less and less of who I once was; a ghost of my former self.

Some day soon a company and a guy are going to find me fascinating, irresistible and charming. They will realise what they’ve been missing and all will be right with the world.

This should be a sufficient picture to depict 'all right with the world', don't you think?

Tuesday, June 21, 2016

Ain't Such a Bad Place To Be

I consider myself relatively lucky because I am in a position prior to a vote where I have a reasonably blank slate. I am not overtly politically minded and my views and opinions tend to be ill-informed and somewhat "piss weak" when standing up to any form of scrutiny. The reason I consider myself lucky is that the Eu Referendum is on Thursday and I have had plenty of time to become acquainted with the facts (after sifting through a minefield of propaganda and seriously odious bullshit!) - I also don't have any prior leanings or prejudices to stand in the way of a fair and controlled debate.

As I have only recently returned from living in Australia for the last sixteen years, I only had a brief knowledge of the main figures in British politics and the shenanigans they all get up to. I was too awash with the insanity of the Australian Government to pay much attention to my home-soil's circus.

So, what did I know about the UK and the bullies in the playground? well...

  • Boris Johnson looks like an albino Baron Greenback from Danger Mouse
  • Jeremy Corbyn looks like someone's dad who has popped 'round to ask us if we could keep the noise down
  • Nigel Farage makes Hitler look quite charitable and easy-going
  • David Cameron likes his sausage wrapped in bacon

Boris is pleased with his purchase of Grecian 2000.

Admittedly, not the greatest of knowledge when it comes to making a decent decision about the future of Great Britain, the European Union and the many generations to come.

It's an added complication when the current Prime Minister and the Leader of the Opposition is on the same side and one wonders what all the fuss is about, but that's something I have just accepted.

On the 29th May, 2016, an opinion piece was published in The Guardian written by David Mitchell where he voiced a fear that I shared. Basically, why get hoi polloi to make a decision that the experts have a better grasp on? Fair-dos, I believe in the notion of democracy and I think if the decision was made without my consent, I'd be a little bit miffed. However, not everyone is well-versed in politics (like me) and many won't even bother checking facts and will blindly give a knee-jerk reaction because they didn't like someone from the local pub's opinion (and they once knocked over his pint and the grudge still holds!)

"UKIP voters enjoying the British sunshine."

Anyway, this is not a blog post about the failings of the democratic system in place. This is about taking control of an opportunity and making the most of our right to vote... So...

My first port of call was to ask my friend Dan about his thoughts on the whole complicated issue. Dan knows more about politics than I know about Alfred Hitchcock movies, so I knew it would be a safe bet. He advised me wisely and fairly. I took all his points on board.

I then started researching the pros and cons. I learned about the impact on farmers, the various regulations imposed by the European Union, the allegations about funds, rebates etc., the whole immigration malarkey... gosh, my head was spinning.

I started to look for inspiration from those I admired and whose opinions I trusted.

In late April, the President of the United States gave us his opinion

and there was, oddly, quite a backlash. Now, call me a big old Leftie if you will, but I actually value the words of a leading Democrat who understands economies, prejudices and legal matters globally.

OK, if complainers want opinions to only come from local minds, then take a look at this piece from the rather spectacular brain of J.K. Rowling.

Yes, I know that some belligerent folk will whinge and say "But she only writes kids' books about magic!" to which I say "Don't be moronic imbeciles - the woman's a legend!" and that will be the end of that argument.

I can understand the notion about wanting to be an independent land once again, I really can, but I also want to relive my school days and not have to worry about bills, rent and politics - nostalgia is hindsight with rose-tinted glasses. It's not necessarily an idyllic paradise with rainbows and unicorns (er... not that Olde England was ever like that. I'm being facetious!)

Britain's future in the eyes of Nigel Farage - only with lots of white people too.

National pride is, on some levels, to be commended (however, I have often said that there is a very thin line between National pride and racism!) but one can still be a proud Briton in a European Union. No one is going to take that away from anyone.

Those who are worried about border control need to take off their pointy white hats and focus on a less insensitive/barking mad notion.

Also, if we do leave, you realise England will never, ever win the Eurovision Song Contest again. It's a point to consider...

As you have probably gathered by now, I will be voting to remain. I don't know all the facts but I have gone out of my way to listen to both sides of the argument. I trust the multitude of advisors, economists, politicians and (ho ho) celebrities (me being facetious again) who suggest that a future within the European Union is a future with vastly more strengths and possibilities. The fact that Farage, Trump and Putin think we ought to opt out is enough reason for me to stay in. The opinions of narrow-minded, egomaniacal bigots do not sway me one jot.

Also, John Oliver says we should and that's good enough for me. See John's take on Brexit here!

The truth is, there will be complications and problems whether we leave or stay. I just don't think anyone should be voting without doing a little bit of research and not take everything at face value. Vote with a conscience. Vote with a heart. Vote with a brain. Just don't vote with hate, anger and fear.

If you're a nerd like me and you're still perplexed by the whole issue, just think "What would the Doctor or Gene Roddenberry do?"

"...In, Out, In, Out, and Shake it All About!"

Wednesday, April 20, 2016

Victoria Wood (1953-2016)

Today, another of my heroes has passed away. Writer, singer, comedian. Victoria Wood was more to me than just a person off t'telly
I was only nine years old when I first stumbled across her brilliance. My Mum had taped episode six of Victoria Wood As Seen on TV one evening as she had been otherwise engaged - probably doing a dash of Shakespeare at the local AmDram ("It may be Hamlet, but it's got to be fun, fun, fun!")
I watched this one episode repeatedly and insisted on my friends watching it too. Luckily, the series was to be repeated later in the year so I was able to watch it all prior to the second series the following year.
I remember one particular evening when, although sent to bed early (it was a school night) I listened to the show on TV through the floorboards of my bedroom. I still recall becoming quite emotional after hearing Victoria sing the sad song 'Crush' through a few inches of wood and some tufted-shag.
Well, I became obsessed. No one else had touched in to my sense of humour quite like Victoria (and never has since). I watched everything I could lay my hands on (repeatedly), grew to know sketches off by heart. I had books, videos, cassettes, and then one day.... I got to meet her.
It was Tuesday 19th March 1991. It was at Wolverhampton Civic Hall. It was, quite possibly, the most exciting night of my life.


I laughed so hard that evening. Afterwards, I went back stage to get my copy of Up to You, Porky signed and I gave her a bunch of flowers and a letter.


I had no idea that she would respond AND it would begin an eighteen year correspondence.
Her first letter was brief (postmarked 9th April 1991 - I have kept all the envelopes! I may use the stamps to make a novelty lampshade one day).
I'd enquired about a certain dress from one of the sketches (Whither the Arts? - 'Bessie!') and had also invited myself 'round for tea and cheesecake.



Dear Ben - I'm afraid I don't have the orange dress anymore - I think Pat borrowed it for EastEnders. Love Victoria. PS The cheesecake is in the larder ready.

And so our little pen-pal relationship began. We wrote back and forth frequently and she even helped me out with my A-Level English Language course when I was writing about comedy. I studied an episode of Acorn Antiques and Victoria helped with questions I had about the show and her approach to comedic writing. Ultimately, my study earned me top grades and I owe some of that to Victoria. She was so kind and generous.
I met her multiple times after that and she even recognised me in a public place once! (...people hide in shop doorways when they see me coming because they feel inadequate!)
There was even a time when she gave me permission to perform an omnibus edition of her 'Carl & Gail' sketches at a revue night alongside my friend Gaynor Wall. (I played Carl, obviously.)

Gail


Carl... do you know the facts of life?


Carl


Some of 'em


Gail


Which ones?


Carl


Gravy. I know how that's made... and I know where me Mam's apron is!

Apparently, it went down quite well - we even got a mention in the Matlock Mercury.
Victoria Wood As Seen on TV is still heralded today as one of the finest sketch show comedies in British history (it's true!) and I never ever tire of it. It has always stood proudly at the top of my 'Favourite TV Shows of All-Time' list and will undoubtedly remain so.
Then, in the late '90s, she wrote and starred in one of the most quotable sitcoms ever - the sublime dinnerladies. Again, it only lasted two series (like ASOTV) and that was due to Victoria's insistence on not outstaying her welcome. Some TV shows go on and on to eventually become stale. Vic liked things to remain fresh.


What made Victoria so outstanding with her writing is that she never hogged the best lines for herself. She always knew her ensemble so perfectly that she could write to their abilities. Each character she writes has a beautiful depth beyond the outward caricature. Victoria could do pathos (and bathos!) like no one else.
Victoria's body of work was more vast than some realise. She is known, of course for her comedic songs and her superb ear for dialogue, but she was also a great dramatist. She won two BAFTAs in 2007 for her heartbreakingly beautfiul film Housewife, 49 based on the diaries of Nella Last - one for her writing and one for her performance as Nella.


This just added to her somewhat cluttered mantelpiece of glittering awards thrown at her over the years.
Just within the last hour or so, I have had numerous friends text, email, message me. Everyone who knows me well understands what Victoria Wood meant to me. She was my idol, my mentor, my Comedy God. I am tearing up as I type this.
I feel rather miserable by the fact that our correspondence dwindled and we didn't write for the remaining few years of her life - but I hope she knows that I truly was one of her biggest fans.
Maybe I have missed some other things to say, but I am a little overcome with grief. Maybe another time.
To paraphrase Mrs Overall; "Crying won't bring her back, Miss Babs!"
But, my god, I wish it would...

Friday, April 8, 2016

Gold

Trying to finalise a top ten list of my favourite films is not only daunting, but somewhat impossible.

(I just know I have compiled a list like this before, but I am not trawling through my entire blog just to check!)

I have so many favourite films. A list of one hundred would be easier.

How about a top thirty? (I started at twenty but kept thinking of others!)

These films are all personal favourites. They may not all be winners of great awards or even listed on lists by other film critics, but they mean something to me - and isn't that what really matters? In my eyes, these are pure gold!

So, in no particular order, here are my top thirty favourite films...

It's not the most butch list ever, is it?!

Clue (1985)

I don't think there is anybody out there who knows me well who doesn't already know that this IS my all-time favourite. I have seen it so many times and it never fails to entertain me. I know it (almost) word for word.

Little Shop of Horrors (1986)

A damn-near perfect movie (for me). It has drama, romance, comedy, horror, a singing plant... what more could you ask for?

The Haunting (1963)

Based on the seminal classic horror novel The Haunting of Hill House by Shirley Jackson, this is a film that should be studied by those who churn out crappy jump-scare horror. Pure brilliance.

The Birds (1963)

I love Hitchcock films and to limit my choices for this list was very hard. However, this stunning slow-builder is simply terrific.

Strangers on a Train (1951)

My second Hitchcock has some superb set-pieces. This is the film that actually sealed the deal with my love of his oeuvre.

The Gay Divorcee (1934)

This was a hard choice as I have often cited 1937's Shall We Dance as my favourite Fred and Ginger movie. However, as I am limiting my list to thirty and I love all of their black & white collaborations, I choose this as it is the epitome of everything that is great about their films.

Mulholland Dr. (2001)

Lynch is a bit hit and miss for me but this is, without question, his masterpiece. It stayed with me for days after the first viewing. Sublime.

The Red Violin (1998)

A severely underrated movie, in my opinion. It's an incredible journey through various countries over generations. The soundtrack won an Academy Award (rightly so).

Easy Virtue (2008)

One of those movies that never fails to cheer me up. A perfect cast.

Repulsion (1965)

One of two Polanski films on this list. It's depiction of creeping insanity is delirious and captivating.

Ed Wood (1994)

Tim Burton's best film (as Director) and Johnny Depp shines as the earnest yet terrible film maker.

Death Becomes Her (1992)

Camp as Christmas and beautifully macabre. It has become a bit of a cult classic but I have always loved it (I saw it six times at the cinema!)

Psycho (1960)

My third and final Hitchcock for this list (I have so many favourites!) is the genre-defining, spine-tingling, utterly brilliant movie that terrified a generation.

Time Burton's The Nightmare Before Christmas (1993)

Although not directed by Burton, this is his baby. It blends my love of Hallowe'en and the joy of Christmas all in one go.

Some Like it Hot (1959)

Seriously, it had to be on this list. It's an undisputed classic.

Tootsie (1982)

Onto another drag movie and another flawless piece of cinema. Dorothy Michaels is a masterpiece in acting.

Thelma and Louise (1991)

Ridley Scott is an amazing director and no one can deny the chemistry between Geena Davis and Susan Sarandon.

Sweet Charity (1969)

An incredibly under-appreciated film, this one. I adore it. It makes me cry every time.

Brief Encounter (1945)

David Lean, Noel Coward, Rachmaninoff... sheer heaven

Gentlemen Prefer Blondes (1953)

Another film highlighting incredible chemistry. this time between Marilyn Monroe and Jane Russell.

Dead of Night (1945)

An Ealing Studios classic. Michael Redgrave's performance is astonishing.

The Ladykillers (1955)

Another Ealing gem. Despite the stellar cast, Katie Johnson steals the movie as Mrs. Wilberforce (Mrs. Lopsided)

Singin' in the Rain (1952)

Yes, yes, an obvious choice. But is is brilliant and Jean Hagen is magnificent as Lina Lamont.

Rosemary's Baby (1968)

Another Polanski. This one adapted from Ira Levin's novel. As far as I am concerned it is one of the best adaptations (book to movie) I have ever witnessed.

What Ever Happened to Baby Jane? (1962)

Macabre, camp and fantastic.

Alien (1979)

Another Ridley Scott. I much prefer this to Aliens but I also prefer Scott over Cameron any day!!

Barbarella (1968)

Jeepers. I do like the camper fare, don't I?!? How can anyone not enjoy this space romp?

Mary Poppins (1964)

Practically perfect in every way.

The Last of Sheila (1973)

Another murder mystery with a superb cast and a sensational plot by Stephen Sondheim and Anthony Perkins.

Murder by Death (1976)

A totally bonkers spoof but with class 'A' performances all 'round. (Although Maggie Smith steals the show..)

So, that's the lot. A few bubbling under the mark such as Bugsy Malone, My Fair Lady, El Orfanato, Elvira: Mistress of the Dark to name a few... I know I will wake up at three o'clock in the morning thinking "Why didn't I think of THAT one?!? but for now I am content.